Desperate to do a Kannada film….not finding the right scripts – Shraddha Srinath


Post the success of Irugapatru, Shraddha Srinath reminisces about her initial years in the Kannada industry, in a recent interview. She opened up about her last two releases ‘Witness’ and ‘Irugapatru’ in Tamil, and how she isn’t getting the right scripts in Kannada, and why producers must dare to back off-beat films.

“It was such a great time; I miss that phase in Kannada cinema now,” says Shraddha, while referring to the period when she came into the limelight in the film industry along with other actresses such as Sruthi Hariharan (Lucia, Nathicharami), Shwetha Srivatsav (Fair & Lovely, Kiragoorina Gayyaligalu) and Radhika Narayan (RangiTaranga, U Turn).

Shraddha Srinath first starred in a prominent role in Pawan Kumar’s Kannada thriller U Turn in 2016. A year later, she was part of a female ensemble cast in the crime drama Urvi, which was released alongside another women-centric film, Shuddhi. It was a time when Kannada cinema showed signs of being serious about exploring stories that revolved around women.

“People keep asking me about my comeback in the Kannada film industry. I am desperate to do a Kannada film, but I am not finding the right scripts. I get more scripts from Tamil and Telugu industries than from Kannada,” reveals Shraddha, whose recent Tamil films Witness and Irugapatru have steered clear of a jaded template and offered her ample room to perform.

A film like Witness is missing in Kannada, points out Shraddha. “It all depends on the producers. Once in a while, if a big producer can do a content-oriented film in Kannada, it gives hope to actors like me. A film like Witness isn’t made just for profit. At the same time, it won’t lose money if it gets released through the right channel,” she opines.

Shraddha played Mitra, a marriage counsellor, in Irugapatru, directed by Yuvaraj DhayalanShe is pretty straightforward in her words, yet Mitra, with her ever-smiling face and welcoming personality, is very approachable. She is also imperfect, especially in her personal life, as she struggles to get the therapist out of her while being a wife to Manohar (essayed by Vikram Prabhu).

“There were a few things I had in mind while preparing for the character. I wanted Mitra to be warm and pleasant. Most people are afraid of marriage counselling. They would rather live in an unhappy marriage than go to a therapist. My character had to offer a supportive environment for my clients. But I also had to portray Mitra as someone who also needs marriage counselling. She had to be convincing when she realises she has gone wrong as a wife.”

Witness, by debutant Deepak, was about the horrors of manual scavenging, and Shraddha played a free-spirited architect who isn’t afraid of speaking her mind. When a 20-year-old boy dies due to manual scavenging, Shraddha’s character offers support to his mother and fights for justice.

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